Award of Arms with Queen's Honor of Distinction Design from a Spanish manuscript, Aragon, circa 1505 July 2009 |
Order of Gawain award Design from the Royal Prayer Book, Mercia, early 9th century July 2009 |
Countess award Text by Alexandre d'Avigne and Magistra Rufina Cambrensis Design from the Ellesmere Chaucer, early 15th century English April 2009 |
Order of Gawain award Design from a commentary of Saint Jerome, English, circa 1120 January 2009 |
I am a proud and active member of I Sebastiani, the Greatest Commedia del'Arte Troupe in the Entire World! In the following photos, I'm the one in the dress. That may seem obvious, but you'd be surprised:
Isabella swoons over Captain Spavento (in hat), much to the dismay of Oratio. (Private performance, Aug 2000) |
Ricciolina describes what she's looking for in a man. (Private performance, Aug 2003) |
Outside of Commedia, I also enjoy scripted theater, especially Shakespeare. In April 2003, I played Helena in a terrific production of "A Midsummer Night's Dream." Here, Demetrius declares his (chemically-induced) love in Act 3, Scene 2 while Lysander, Oberon, and Puck look on. (You can tell we're meant to be together because we're wearing the same color!)
I thoroughly enjoy introducing children to Shakespeare, which is always a wonderful experience. I have directed four performances so far (as well as co-directed a fifth) and look forward to the sixth this year.
First: the mechanicals, all of whom were in grades 1-3, from "A Midsummer Night's Dream," May 1999. From left to right: Quince, Bottom (she just adored that donkey head), Snout, Flute, Starveling, and Snug. (Shakespeare had men playing women. For my Flute, I had a girl playing a guy who didn't want to play a girl. Ah, the modern stage.)
Next, members of my 4th- to 6th-grade cast of "The Tempest," February 2003. They used the original language and were truly superb. On the left, Ferdinand, Ariel, Prospero, and Miranda; on the right, Trinculo (check out the shoes!), Caliban (scurrying away), and Stephano.